Prof. Chris R. Kyle, Syracuse University & Prof. Jason Peacey, UCL (Editors) email@example.com firstname.lastname@example.org Historiography on early modern Britain arguably suffers from two related problems: the divergent approaches of social and political historians; and an inadequate conceptualization of the distinction between – and relationship between – ‘centre’ and ‘locality’. In this situation, there is a … Continued
Kate Brooks, Bath Spa University K.Brooks@bathspa.ac.uk Our local parks and beauty spots may be busy during lockdown, but if you are a cool teenager who knows what TikTok is, you will probably be at a nearby carpark – and on wheels. Since the first lockdown, TikTok and Instagram frequently feature roller skaters, wearing the more … Continued
Professor David Vincent, Open University David.Vincent@open.ac.uk Prior to the outbreak of coronavirus there was widespread discussion by campaigners and social commentators of an ‘epidemic’ of loneliness. On the basis of an extensive literature review, Keith Snell concluded that ‘Loneliness is now widely diagnosed as a modern “epidemic” or “plague”.’ Even before the current crisis, this … Continued
Dr Christine Grandy, University of Lincoln email@example.com Peter Mandler’s piece, ‘The Problem with Cultural History’, published in Cultural and Social History’s inaugural issue, did what all good methodological interventions in the field should – haunt the historian for years. His use of the term ‘throw’, as an elegant analogy for the transmission of cultural knowledge, … Continued
Dr James Jones, University of Sussex @JamesTJones We all have experiences of visiting the cinema: memories of going as a child; a first independent visit with friends; visiting today to catch the latest superhero blockbuster or to make a pilgrimage to an independent screening. That cinema-going is still a popular past-time in an age … Continued
Dr Alexandra Wilson is Reader in Music at Oxford Brookes University, where she researches the social and cultural history of opera. She is the author of ‘The Puccini Problem: Opera, Nationalism, and Modernity’ (Cambridge University Press, 2007) and ‘Opera: A Beginner’s Guide’ (OneWorld Publications, 2010).
In her contribution to the Research Exchange, she discusses her research on Opera’s surprising place in the 1920s ‘battle of the brows’ for her new book ‘Opera in the Jazz Age: Cultural Politics in 1920s Britain’ (Oxford University Press, 2019).