The house was a miracle of miniature technology, from the pair of Purdy shotguns that actually broke even if they didn’t fire, to the electric lift and working plumbing. It was also packed with beautiful and very tiny works of art and literature that represented a major shift from their creators’ wartime output. C.R.W. Nevinson’s “Paths of Glory” had been banned in 1918 because of its shockingly unpatriotic content of faceless British corpses lying in the trench mud, but his contribution to the dolls’ house was a pretty watercolour of a mountain town.